水墨与墨线 AI 图片提示词

Treat the frame as a practical account avatar with a direct eye line, uncluttered edges, and no embedded text.

A rescued greyhound stretching on a worn rug near an open balcony door. Treat the frame as a practical account avatar with a direct eye line, uncluttered edges, and no embedded text. Ink art with pressure-sensitive strokes, dry and saturated marks, absorbent paper, and structural negative space. Use a centered frontal frame only where symmetry explains the object or task. Use original design language. Avoid existing characters, artist imitation, logos, and meaningless generated words.

Present the concept as a structured learning visual where hierarchy carries meaning without decorative clutter.

A portable field speaker with a woven acoustic surface and protected controls. Present the concept as a structured learning visual where hierarchy carries meaning without decorative clutter. Ink art with pressure-sensitive strokes, dry and saturated marks, absorbent paper, and structural negative space. Use a close working-distance frame that reveals material detail without cropping functional parts. Use original design language. Avoid existing characters, artist imitation, logos, and meaningless generated words.

Create a thumbnail concept with strong foreground-background contrast, no tiny detail, and no generated headline text.

A portable field speaker with a woven acoustic surface and protected controls. Create a thumbnail concept with strong foreground-background contrast, no tiny detail, and no generated headline text. Ink art with pressure-sensitive strokes, dry and saturated marks, absorbent paper, and structural negative space. Use a calm eye-level view and keep the focal subject clear of the frame edges. Use original design language. Avoid existing characters, artist imitation, logos, and meaningless generated words.

Build a comic-ready scene around readable acting, controlled depth, and room for later lettering outside the artwork.

An original rescue engineer character inspecting a compact amphibious shelter. Build a comic-ready scene around readable acting, controlled depth, and room for later lettering outside the artwork. Ink art with pressure-sensitive strokes, dry and saturated marks, absorbent paper, and structural negative space. Use an asymmetric wide frame with one strong visual anchor and a quiet counterweight. Use original design language. Avoid existing characters, artist imitation, logos, and meaningless generated words.

Create a benefit-led marketing frame where lighting and environment explain why the product matters.

A small rye tart layered with roasted mushrooms and fresh green leaves. Create a benefit-led marketing frame where lighting and environment explain why the product matters. Ink art with pressure-sensitive strokes, dry and saturated marks, absorbent paper, and structural negative space. Use a slightly elevated three-quarter view with a distinct foreground, middle distance, and background. Use original design language. Avoid existing characters, artist imitation, logos, and meaningless generated words.

Build a listing-ready product view that prioritizes shape, scale, finish, and a distraction-free background.

A portable field speaker with a woven acoustic surface and protected controls. Build a listing-ready product view that prioritizes shape, scale, finish, and a distraction-free background. Ink art with pressure-sensitive strokes, dry and saturated marks, absorbent paper, and structural negative space. Use a centered frontal frame only where symmetry explains the object or task. Use original design language. Avoid existing characters, artist imitation, logos, and meaningless generated words.

Create a print-led composition with a memorable focal form and no generated words or logos.

An original rescue engineer character inspecting a compact amphibious shelter. Create a print-led composition with a memorable focal form and no generated words or logos. Ink art with pressure-sensitive strokes, dry and saturated marks, absorbent paper, and structural negative space. Use a close working-distance frame that reveals material detail without cropping functional parts. Use original design language. Avoid existing characters, artist imitation, logos, and meaningless generated words.

Create an interface concept that shows what the user can inspect and do without relying on decorative dashboard cards.

A process map showing how a neighborhood library receives, sorts, repairs, and lends donated books. Create an interface concept that shows what the user can inspect and do without relying on decorative dashboard cards. Ink art with pressure-sensitive strokes, dry and saturated marks, absorbent paper, and structural negative space. Use a calm eye-level view and keep the focal subject clear of the frame edges. Use original design language. Avoid existing characters, artist imitation, logos, and meaningless generated words.

Build an editorial campaign moment with a clear point of view, asymmetric energy, and meaningful negative space.

A rescued greyhound stretching on a worn rug near an open balcony door. Build an editorial campaign moment with a clear point of view, asymmetric energy, and meaningful negative space. Ink art with pressure-sensitive strokes, dry and saturated marks, absorbent paper, and structural negative space. Use an asymmetric wide frame with one strong visual anchor and a quiet counterweight. Use original design language. Avoid existing characters, artist imitation, logos, and meaningless generated words.

Treat the image as a design exploration with production-relevant structure rather than a finished decorative scene.

A high desert garden where hardy shrubs collect around weathered stone shelves. Treat the image as a design exploration with production-relevant structure rather than a finished decorative scene. Ink art with pressure-sensitive strokes, dry and saturated marks, absorbent paper, and structural negative space. Use a slightly elevated three-quarter view with a distinct foreground, middle distance, and background. Use original design language. Avoid existing characters, artist imitation, logos, and meaningless generated words.

older Tashkent in Uzbekistan with more Garden beuatiful tea